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The recent Oscar ceremony highlighted the unpredictability of award shows. While there were many memorable moments and historic victories, the shadow of actor Chadwick Boseman’s passing loomed over the event. Boseman, who tragically passed away from colon cancer in August 2020, was nominated for Best Actor for his role in “Ma Rainey’s Black Bottom,” which turned out to be his final film.
From the outset, Boseman appeared to be the frontrunner for the Best Actor award, with widespread consensus supporting his win. However, in a shocking turn of events, Anthony Hopkins took home the Oscar instead. Given the high expectations, Boseman’s defeat felt particularly poignant. His legacy and the anticipation surrounding his potential win were emphasized throughout the ceremony, making Hopkins’ victory even more disheartening.
It’s essential to clarify that this disappointment isn’t rooted in a belief that Anthony Hopkins is unworthy of the Oscar. He is undoubtedly a remarkable actor with a long and distinguished career, including a previous Oscar win. However, he is in his 80s and has had the opportunity to build a legacy that Chadwick Boseman, who is no longer with us, will never have the chance to cultivate.
Many, including myself, are frustrated not just because Boseman lost, but because, in an industry striving to improve diversity and representation, Hopkins’ win felt like a regression to the status quo. On a night that celebrated significant wins for women of color and other individuals from diverse backgrounds, having both major acting awards go to white actors felt like a slap in the face. It’s especially disheartening considering that two other men of color were nominated in the Best Actor category, both of whom delivered outstanding performances in unique roles.
Boseman’s character in “Ma Rainey’s Black Bottom,” Levee, is a Black man who intimately understands the harsh realities of white supremacy. His journey mirrors the struggles faced by many artists of color, making his loss even more ironic. The film poignantly explores the exploitation of Black artistry by a predominantly white industry, which resonates with the narrative of Boseman’s own career.
Throughout the award season leading up to the Oscars, Boseman garnered numerous accolades, except for the BAFTAs. Typically, the outcomes of other awards serve as indicators for the Oscar results, which is why the producers strategically placed the Best Actor award at the end of the show. They aimed for an emotional high point, hoping that Boseman’s win would conclude the night on a poignant note. Instead, with Hopkins’ unexpected win—one that he did not attend to accept—the night ended on an anticlimactic note, leaving many fans feeling let down.
Additionally, the ceremony’s presentation choices, like the “In Memoriam” segment, felt exploitative. While typically a moment of honor, this year it seemed rushed, as if to prioritize Boseman’s memory over others who had also passed. The nominees received a token in the form of a digital tribute NFT of Boseman, intended for auction to benefit The Colon Cancer Foundation. While the intention is commendable, it feels strange to tokenize a legacy in that manner.
Winning or losing an Oscar doesn’t define an actor’s career, but for Chadwick Boseman, who no longer has the opportunity to strive for future accolades, the situation is especially painful. The hurt felt by many, particularly in the Black community, stems from the sense of exploitation surrounding his legacy. Chadwick Boseman was a tremendous actor and an incredible human being, and his memory deserves more respect than what was afforded at the Oscars.
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In summary, the Oscars showcased not only the unpredictable nature of awards but also highlighted significant issues surrounding representation and the exploitation of legacies within the industry. Chadwick Boseman’s loss resonated deeply, reflecting a broader conversation about diversity and recognition in Hollywood.