In a recent discussion, Seth Rogen expressed confusion over why some comedians are so vocal about their dissatisfaction with “cancel culture.” This month, figures like Billy Crystal and Joe Rogan joined the chorus of predominantly older male comedians lamenting the perceived constraints of political correctness. It appears that many of these comedians resist being held accountable for their past remarks, whereas Rogen, who has openly acknowledged the problematic nature of some of his earlier jokes, believes these complaints are unwarranted.
During an interview with Good Morning Britain, Rogen stated that certain jokes inevitably don’t hold up over time, which is a natural aspect of comedy. He remarked, “I think there are certain jokes that for sure have not aged well… Jokes are not things that necessarily are built to last.” Rather than doubling down on outdated humor, Rogen suggests that comedians should accept the criticism that comes with their work. He pointed out, “When I see comedians complaining about this kind of thing, I don’t understand what they’re complaining about.” He emphasized that facing criticism is part of being an artist, and if they can’t handle it, they might reconsider their career choice.
Growing up in the era of hit films like Superbad, Rogen recognizes that some of his work may not be appropriate by today’s standards. He acknowledged that although he never intended to target marginalized groups, there are instances where his humor has missed the mark. “Definitely, we’ve done that without realizing it… and they’re things that I am more than happy to say that they have not aged well,” he explained.
Rogen clarified that acknowledging past mistakes isn’t synonymous with cancel culture. “If you’ve said something terrible, then it’s something you should confront… Saying terrible things is bad,” he stated. This perspective suggests that accountability and reflection could be beneficial for artists in today’s landscape.
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In summary, Seth Rogen’s thoughts on the backlash against “cancel culture” highlight the importance of accountability in comedy. He argues that artists should embrace criticism and reflect on their past work, rather than resist change.