After much anticipation, Ryan Adams has released his complete cover of Taylor Swift’s iconic album, 1989. Now, let’s drop the nickname “T-Swizzle”; we’re all adults here. While this may not be the most essential album of the year—given that Ryan Adams has a solid catalog that spans nearly a decade and Taylor Swift is a household name—it’s hard to ignore the musical tug-of-war between them. They’ve been trading compliments online, making us all feel a bit nostalgic and warm. In a recent interview, Swift even mentioned that she’s been inadvertently singing along to Adams’ dreamy renditions during her performances. What are we meant to do with this level of positivity in 2015? Critiquing 1989 is like turning down a slice of cake or refusing an umbrella from a stranger during a downpour; if you do, you might be the one in the wrong.
Here are four compelling reasons to dive into this album (Do people still say “album?”) today:
- You can finish it in about 45 minutes—so just take a breath.
- It transcends a typical cover album. Adams delivers a laid-back, California-inspired version of Swift, featuring ethereal arrangements and echoing vocals reminiscent of the late ’80s. Tracks like “Blank Space” are subtly reimagined, while “How You Get the Girl” transforms into a haze of synthesizers. Adams even turned “Shake It Off” into a haunting ballad that evokes “I’m on Fire,” eliciting some conflicting emotions.
- “Bad Blood!” Adams has effectively enhanced the only song from 1989 that really needed it. His version showcases a blend of jangly sounds and emotional depth, uncovering the country roots of what was initially a pop hit—a fascinating transformation.
- The original 1989 is filled with stellar songs (although it certainly helps that I was around and listening to music back in 1989). I’ve often pondered how many tracks on an album you need to enjoy for it to be considered a favorite, and for me with 1989, that number is about eight. I can’t say I liked as many tracks on the last Springsteen album. The frequency with which I’ve replayed 1989 far outweighs how often I’ve listened to Kendrick’s latest. Meanwhile, the new Apple music app, with its mind-reading capabilities, seems confused about my music choices.
Embracing 1989 has, unfortunately, cost me the respect of a few friends in real life. I don’t mean that lightly; their disappointment was palpable, as if I had dropped a piano on their homes. One friend, Lindsay, was so taken aback by my admission that it felt like I had committed a crime against music. (“You introduced me to great artists!” she exclaimed in disbelief at a crowded restaurant. “Who are you?”)
But perhaps we’re overanalyzing this whole situation. (Wait, people critiquing music online? Truly shocking.) Although I’ve never met Taylor Swift or received a thank-you for the many boxes of chocolate I’ve sent her, she seems like a genuinely wonderful person. It’s refreshing to see Adams having a good time with this project, engaging in a light-hearted way that balances novelty and quality, and sharing it with the world—so why not give it a listen? Just don’t forget the cake pop.
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In summary, Ryan Adams’ take on Taylor Swift’s 1989 is a refreshing reinterpretation that showcases his unique style while honoring Swift’s original work. With a mix of dreamy melodies and emotional depth, this album is worth a listen, especially if you appreciate the artistry behind both musicians.