In a world where a mother morphing into a canine seems entirely plausible, author Rachel Green delves into the peculiarities of parenthood in her novel Nightbitch. After becoming a mother, Green found herself in a two-year creative hiatus, struggling to reconnect with her artistic identity. However, inspiration struck, leading to the unique tale of an unnamed mother who sacrifices her career for her toddler son, only to experience some bizarre transformations—like growing a tail.
We caught up with Green to discuss the genesis of her book, its resonance with fellow parents, and the complex themes of motherhood that it navigates.
Interviewer:
Many transformation stories tend to focus on the darker aspects. Your book, however, presents a more nuanced perspective. How did you balance the frightening and the joyous in Nightbitch?
Rachel Green:
While transformation often emerges from a body horror backdrop, I wanted to showcase the joy that can accompany it. Watching my son embrace his surroundings with such exuberance inspired me. He didn’t just observe a train; he became one. I wanted the mother in the story to navigate her world through her physical experience. Initially, it’s alarming, but as she reconciles with her transformation, she discovers joy and empowerment in it.
Interviewer:
You mentioned your son—how much of this story is drawn from your own experiences as a mother?
Rachel Green:
A significant portion of the book stems from my journey into motherhood. After having my son, I went silent for two years, which felt disorienting after being so immersed in writing and academia for so long. I loved being a parent, but it didn’t fulfill all aspects of my identity. When I finally began to write again, the words just flowed; it felt more like channeling than composing. Although I didn’t literally turn into a dog, the narrative addresses real struggles around ambition, love, and identity.
Interviewer:
The notion of a mother transforming into a dog originated as a playful exchange with your partner, correct?
Rachel Green:
Yes! It began as a joke when my husband remarked on my behavior one night. I thought it was a fun concept to explore, even though it might seem absurd to some. I needed an outrageous idea to reignite my creativity.
Interviewer:
Do you think that art plays a crucial role for mothers in reclaiming their identities post-parenthood?
Rachel Green:
While not all mothers need art, it’s essential to find something that resonates with you personally. For instance, a friend of mine was a dedicated runner before motherhood and made it a point to maintain that passion. Whatever it is—art, a hobby, or a pursuit—it’s vital for mothers to carve out time and space for themselves.
Interviewer:
What was the most significant challenge you faced while writing this book?
Rachel Green:
The biggest hurdle was questioning if the story was too outlandish. Because it was so personal, I wondered if it would connect with others.
Interviewer:
Throughout Nightbitch, the protagonist interacts with other mother-dogs. What does this say about the relationships among mothers?
Rachel Green:
I often felt isolated in my own motherhood journey, mirroring the experience of my character. I realized how much I craved a community, especially since my family lived far away. The story explores that desire to connect with other mothers, navigate similarities and differences, and build a supportive network.
Interviewer:
The husband figure in the story is notably absent. How does this reflect real-life parenting dynamics?
Rachel Green:
My own partner worked away frequently, which posed challenges in our marriage and parenting. I wanted to explore how physical absence influences domestic responsibilities and communication regarding shared tasks. By placing Nightbitch in an extreme situation, I aimed to uncover potential resolutions.
Interviewer:
As a writer, what do you believe we can do to challenge the unrealistic expectations placed on mothers?
Rachel Green:
I don’t have a definitive answer, but I think we need to rethink how we value our time and the domestic work we undertake. It’s often undervalued, despite its significance.
Interviewer:
Are there any books you’re currently enjoying that you’d recommend?
Rachel Green:
I’m loving Fair Play by Eve Rodsky; it’s a fantastic resource for anyone feeling overwhelmed in their motherhood journey. I also recommend Prepare Her by Genevieve Plunkett, which beautifully captures women’s experiences under patriarchy. Lastly, The School for Good Mothers by Jessamine Chan is coming out next year and critically examines societal expectations of motherhood.
Interviewer:
Exciting news regarding Nightbitch being adapted into a film starring Amy Adams! How’s that process going?
Rachel Green:
Adapting my work during a pandemic was certainly challenging. I faced a steep learning curve, but it was an enriching experience to see my story take on a new form. I’m eager to see how it all unfolds!
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In summary, Rachel Green’s Nightbitch addresses the multifaceted experience of motherhood through a surreal lens, combining elements of humor and horror. The narrative explores the challenges of identity, community, and the quest for personal fulfillment amidst the chaos of parenting.