In 1972, a year marked by significant social change, Marlo Thomas and her talented friends released Free to Be…You and Me, a groundbreaking album aimed at children. This collection of songs tackled themes of gender equality, acceptance, and the rejection of stereotypes during a time when such discussions were beginning to gain traction. Who could forget belting out the empowering anthem “William’s Doll” or the heartfelt “It’s Alright to Cry” in the back of the family station wagon?
The inspiration for Free to Be… came when Thomas was searching for bedtime stories for her niece and found only those that reinforced outdated gender norms. Determined to create something that showcased the endless possibilities for children, she collaborated with notable figures in entertainment, leading to an album that would leave a lasting impact on many childhoods.
While Free to Be…You and Me may not be the first choice for many modern parents, its messages are still crucial today. I recently gifted the album to my niece, only to find it collecting dust—perhaps I was a bit naive to assume she would appreciate a classic over contemporary soundtracks like those from Teen Beach 2 or Frozen. Yet, the lessons and catchy tunes from Free to Be… are just as progressive and uplifting now as they were back then.
- Free to Be…You and Me (music by Stephen J. Lawrence, lyrics by Bruce Hart, performed by The New Seekers)
The titular song remains a powerful call for children to embrace their true selves, echoing the sentiments of other ’70s hits like “I’d Like to Teach the World to Sing.” - Boy Meets Girl (written by Carl Reiner and Peter Stone, performed by Mel Brooks and Marlo Thomas)
This playful exchange explores gender identity through the lens of childhood logic, poking fun at the very stereotypes Thomas aimed to challenge. - When We Grow Up (music by Stephen J. Lawrence, lyrics by Shelly Miller, performed by Diana Ross)
This poignant track captures the fears children have about growing up, illustrating the uncertainty of their futures while reassuring them of enduring friendships. - Don’t Dress Your Cat in an Apron (written by Dan Greenburg, performed by Billy De Wolfe)
A fun reminder that everyone should wear what makes them comfortable, regardless of societal expectations. - Parents Are People (written by Carol Hall, performed by Harry Belafonte and Marlo Thomas)
This track encourages children to see their parents as individuals with their own lives and interests, a revolutionary concept for young listeners. - Housework (written by Sheldon Harnick, performed by Carol Channing)
Channing’s delivery highlights that housework is often viewed through a commercial lens, reminding children that it’s best tackled together. - Helping (written by Shel Silverstein, performed by Tom Smothers)
A humorous take on the different types of help, this poem resonates with anyone who has experienced an “unhelpful” visit from a friend. - Ladies First (based on a Shel Silverstein poem, performed by Marlo Thomas)
This cautionary tale about entitlement serves as a humorous reminder that bratty behavior has consequences. - It’s All Right to Cry (written by Carol Hall, performed by Rosey Grier)
Grier’s emotional performance emphasizes the importance of expressing feelings, a message that continues to resonate with many. - William’s Doll (music by Mary Rodgers, lyrics by Sheldon Harnick, performed by Alan Alda and Marlo Thomas)
A powerful narrative defending a boy’s desire for a doll, challenging the stigma surrounding gender-specific toys. - Atalanta (written by Betty Miles, performed by Alan Alda and Marlo Thomas)
This fairy tale promotes the idea that happiness doesn’t necessarily come from marriage, a progressive thought even today. - Girl Land (music by Mary Rodgers, lyrics by Bruce Hart, performed by Jack Cassidy and Shirley Jones)
A darkly comedic commentary on gender expectations, it critiques the notion of “girlhood” in a way that still sparks conversation. - Glad to Have a Friend Like You (written by Carol Hall, performed by Marlo Thomas)
Closing the album with a sweet celebration of friendship, this song reinforces the joy of being oneself alongside others.
Reflecting on Free to Be…You and Me now reveals its depth—what seemed like catchy tunes during childhood now unfolds as a rich tapestry of lessons in gender politics. Many of the messages may have flown over my head as a child, yet they are undeniably relevant for today’s youth. Every child deserves the chance to experience the vibrant spirit of this album at least once.
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In summary, Free to Be…You and Me is not just an album but a vital part of childhood that resonates with themes of acceptance and individuality, making it a timeless classic worth revisiting.