In vibrant cities like Portland and Brooklyn—known for their self-aware communities—we not only revel in the charm of artisanal products and local delicacies but also engage in a conscious reflection of our choices to fend off any potential ridicule. We master the art of embracing the small, the local, and the handmade, often discussing these pursuits with a grave demeanor, only to later deflate the seriousness with lighthearted jests about our predictable habits. And then, we indulge in our lovingly crafted kimchi, perhaps made with tools whittled by hand in a workshop along the Gowanus Canal. I admit, while I could do without the exhausting, inflated sense of significance, my craving for that kimchi remains strong, and my aversion to big-box stores is unyielding. Reluctantly, I acknowledge that participation in this lifestyle, to varying degrees, is inevitable.
Sometimes, this self-awareness manifests as sharp satire, as seen in shows like Portlandia, or as delightful parody, like the new children’s book by Jamie Parker, “CLARA.” This reimagining of Kay Thompson’s classic character Eloise features the smart and endearing six-year-old Clara, who resides in a place she calls The Urban Nook—a hotel with an entrance “that’s not immediately evident.”
In her mother’s long absence, Clara is looked after by a quirky assortment of urban caregivers residing in the bustling Nook. Her nanny, Max, sports tattooed arms and dreams of launching a gourmet grilled cheese food truck. Then there’s Jordan, a bouncer from the rooftop bar who’s busy penning his screenplay, and Casey, the hotel’s Artist in Residence who doubles as a dog walker.
Much like Eloise, Clara finds joy in room service and the thrill of charging meals, but she opts for pizza over Eloise’s more extravagant “plated filet mignon.” One of my favorite moments describes pizza being baked in a massive oven fueled by logs sourced from the countryside—because in the world of self-aware cities, the origin of materials is paramount. Jamie Parker, with her insider knowledge, carefully weaves in clever details, providing surprises for adult readers that will not detract from a child’s enjoyment. After all, children often highlight the humor that serious adults miss. Young readers will undoubtedly see themselves in Clara when she remarks that she is “quite scheduled,” and expresses her interests in meditation, Zumba, and drum circles.
The illustrations by Alex Chen are stunning and echo the charm of Hilary Knight’s artwork for Eloise, filled with humorous nuances that elevate the text. Clara’s room features hanging terrariums (widely available from flea markets to trendy boutiques), a guitar leaning against the wall, and a sweet depiction of her muddling mint leaves. The characters, with their diverse appearances and clothing styles—from tapered jeans to flowing ponchos—create a visual feast worth exploring.
Parker’s affection for Clara and her vibrant world is palpable. Clara, like Eloise, is instantly lovable, endowed with an endearing mix of non-sequiturs and captivating rhythms. When Parker diverges from the original Eloise formula, it feels both poignant and refreshing. Touching on the complexities of modern parenting, there are moments that evoke a sense of longing, especially when Clara connects with her distant mother—a busy actress she Skypes with, watching her portray other children’s moms. As Clara says, “It’s almost like she’s here with me.”
Through her binoculars, Clara observes a dad getting a glass of water for his child, and a kid reading by flashlight before a mom enters, dimming the light, bringing a moment of stillness. This brief melancholy gives way to Clara’s existential reflection on her own smallness in the universe and the duality of being “everything and nothing at all.” It’s a beautifully poignant section I hope resonates with young readers, reminding them that regardless of trends and fads that come and go—like those that have transformed since Eloise’s debut—there will always be the vast night sky for children to gaze upon, feeling both small and secure, filled with anticipation for what tomorrow holds.
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In summary, “CLARA” is a modern take on a cherished classic that combines humor, relatable childhood experiences, and stunning illustrations, presenting a character that young readers will adore. The book captures the essence of urban life, blending playful satire with deeper reflections on family and connection.